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七十年代初,正是西方“作家电影”方兴未艾的年代,由诗坛跨入影界的贝尔纳多·贝尔托卢奇,从弗洛伊德精神分析学的角度,以冷峻的、独具创意的镜语叙事,在银幕上营造出一处以死亡为支
In the early 1970s, it was Bernardo Bertolucci who stepped into the world of filmmaking in the midst of the ascendant of Western “writers and movies”. From the perspective of Freudian psychoanalysis, Mirror narrative, to create a deadline on the screen