论文部分内容阅读
柏辽兹是西方音乐史上十九世纪浪漫主义中期的代表人物之一,独创了“标题音乐”。本文由引言、结语和三个章节组成。三个章节分别是:柏辽兹标题音乐的创作背景与发展过程、对《哈罗尔德在意大利》的作品分析、通过这首交响曲对柏辽兹音乐进行概括。第一个章节从作者生平、浪漫主义中期标题音乐的特点及内涵进行描述;第二章节是对《哈罗尔德在意大利》这首乐曲的介绍,从该交响曲的内容、创作手法等方面进行探索;为什么选择中提琴作为主题旋律;通过乐曲进行剖析文章,主要通过文献法在其他学者研究的基础上进行更加深入的探索。
Berlioz is one of the representatives of romantic mid-19th century music in the history of Western music, original “title music ”. This article consists of introduction, conclusion and three chapters. The three chapters are respectively: The background and development process of Berlioz’s title music, the analysis of Harold’s works in Italy, and the introduction of Berlioz’s music through this symphony. The first chapter describes the characteristics and connotation of the author’s life and romantic mid-caption music. The second chapter is an introduction to “Harold in Italy”. From the content and creation of the symphony, Explored why the viola was chosen as the theme melody and analyzed the articles through the melody through the literature method to conduct more in-depth exploration based on the research of other scholars.