重返碑林,思绪万千,老朋新友共聚,论及《碑林》集刊,因有本文的动议。本文拟从“甲骨探篆源”、“秦篆承巨篇”、“五体篆脉流”诸方面《试论篆书在中国书法上的影响》,求教于诸同好,不妥之处,敬请指正。甲骨探篆源鲁迅先生在《蜕龛印存序》~①谈到篆刻艺术时指出:“尝闻艺术由来,在于致用,草昧之世,大朴不雕,以给事为足,已而渐藻饰。”对任何事物的探源,其目的就是为遵循客观规律来论事物的起根发苗,开花结果。那么,对中国书法艺术的源远流长的客观规律的探讨,就当从 Back to the Forest of Stone Tablets, my thoughts, old friends and new friends, talked about “Forest of Stone Tablets”, because of the motion of this article. This article tries to discuss the influence of seal script in Chinese calligraphy from the aspects of “the origin of the inscriptions of the inscriptions on the bone, the seal of the seal of Qin Dynasty, Correct, please correct me. Inscriptions on the origin of the stone inscriptions Mr. Lu Xun in the ”depositional order“ * ① When it comes to the art of seal cutting: ”The smell of art, lies in the use, ignorance of the world, Already algae decoration. "The source of any thing, its purpose is to follow the objective laws to discuss the root causes of things hair seedlings, flowering results. Well, on the Chinese calligraphy art has a long history of objective laws to be studied