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一边是最近开业的某艺术酒店打出了“舒适一日,艺术一天”的宣言;一边是朋友家在上初中的孩子跟她提出了“我就是要过小资生活”的要求。且不去界定“艺术和小资”的标准是什么,生活的需求改变了。一边是曾经在拍卖场上驰骋的藏家在CBD办起了画廊;一边是拥有私人美术馆的大藏家创办艺术酒店、艺术商场。过往艺术市场中的主力们都在挖空心思将艺术品安置在普通人的日常起居中,且不去纠结这里的“普通人”是否能涵盖社会全体人群,艺术和商
On the one hand, a recently opened art hotel made a declaration of “Comfortable Day, Art Day”; on the other hand, a friend from a junior high school made a request to her “I just want to live a petty bourgeoisie.” And without defining what the standard of “art and petty bourgeoisie” is, the needs of life have changed. On the one hand, collectors who had been racing on the auction house set up galleries in the CBD; on the other hand, collectors with private galleries set up art houses and art galleries. In the past, the main forces in the art market were trying hard to place artwork in ordinary people’s everyday life, not to tangle with the “ordinary people” in the community to cover the whole community, art and business people