莫扎特对于歌剧的改革非常的深入,他认为音乐有很大的作用,作为一个创作者,应该首先认为自己是一个音乐家,然后再考虑自己也应该是一个戏剧家,也就是说“诗必须绝对服从音乐”。也正是因为他这样做了,所以他的歌剧音乐一般是以富于戏剧性的重唱和富于个性的咏叹调为基础的。莫扎特留给给后人的是无法估量的音乐财产。本文主要包括以下两个方面的内容:莫扎特和他的《费加罗的婚礼》(莫扎特的简介和《费加罗婚礼》)、苏珊娜的人物塑造(《美妙时刻即将来临》、苏珊娜的风格特点、苏珊娜的人物演绎),最后对本文进行了总结。 Mozart is deeply involved in the reform of the opera. He believes that music plays a big role. As an author, he should first consider himself a musician and then consider himself as a dramatist. That is to say, “Poetry must be Absolute obedience to music ”. It is also precisely because he did so that his opera music is generally based on a dramatic repertoire and a rich aria. Mozart left for future generations is incalculable musical property. This paper mainly includes the following two aspects: Mozart and his “Marriage of Figaro” (Mozart’s profile and the “Figaro wedding”), Susanna’s characterization (“wonderful time is coming”, Suzanne’s style characteristics , Susana character interpretation), the final summary of this article.