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By the time Tsai Ming-liang’s latestfilm, Hole, won the top award atthe Chicago Film Festival in earlyOctober, it was nowhere to befound in Taiwan. Only a few days after itsopening, the bleak, end-of-the-millenniumtale about two lonely denizens of Taipei hadalready been replaced in the island’s theatresby Hollywood blockbusters like Saving Pri-vate Ryan. Even cinemas owned by theCentral Motion Picture Studios, where Tsaihas produced films and which helped withthis production, pulled the film. Hole was
By the time Tsai Ming-liang’s latestfilm, Hole, won the top award atthe Chicago Film Festival in early October, it was nowhere to befound in Taiwan. Only a few days after itsopening, the bleak, end-of-the-millenniumtale about two lonely denizens of Taipei hadalready been replaced in the island’s theaters by Hollywood blockbusters like Saving Pri-vate Ryan. Even cinemas owned by the Central Motion Picture Studios, where Tsaihas produced films and which helped with production, pulled the film. Hole was