我们看过不少反封建反专制的戏,或是对精神痛苦无知无觉的状态概念地描述一遍,或是以做作的高昂对百孔千疮的现实浪漫地幻想一番。幼稚的程度达到以为用控诉的泪水和感激的泪水可以冲刷出一个幸福的未来。姚清水创作的莆仙戏《藩国纪闻》不是这样,他层层剥现出来的封建专制下的精神状态和官场生态启人反省,发人深思。 We have seen quite a few anti-feudal anti-authoritarian scenes or a conceptual depiction of the state of mental anguish and ignorance, or the fantastic reality of a hundred-hole romantic imagination. To the extent of naive thought that with the tears of complaint and tears of gratitude can wash out a happy future. Puxian Opera created by Yao Qingshui is not the same as that of Puxian Jiuwen. The spirit and feudal autonomy under the feudal autocratic nature that he has uncovered come to light and reflect on people’s thoughts and thoughts.