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关于存在主义哲学家使用文学媒介,最通常遇到的解释是:他们的小说和戏剧有助于说明传统哲学解说的系统的和直率的散文中所孕育和提出的基本论题。其次,存在主义者希望把人表现为一个自由的个人,表现为至少潜在地是一个不可精减的不固定的中心。而作家本人的自由也包括在内。德·波娃指出,存在主义者所着重的是具体性;他们不大用抽象理论,而是用物质形象、感性属性、人的存在和人世存在的日常细节来表达见解。存在主义哲学家的小说、戏剧和短篇故事应该理解为他们的道德玄想的独特的表现,而不仅仅是哲学和政治理论的例释或庸俗化。对于存在主义哲学家来说,文学提供了一个不可或缺的表现方式,存在主义哲学如果没有它的想象文学,就不会得到最充分的表现,而且肯定也达不到它在法国所享有的广大欢迎和影响。
The most commonly encountered explanation about the use of literary media by existential philosophers is that their novels and plays help to illustrate the basic topics conceived and raised in systematic and straightforward essays that explain traditional philosophies. Second, the existentialist wants to present man as a free individual, manifested as, at least potentially, a center of indefinability. The writer’s freedom is also included. De Pooe points out that existentialists are focused on concreteness; they make no use of abstract theories, but express their opinions in the daily details of material images, sensual attributes, human existence, and human existence. Novels, plays and short stories by existential philosophers should be understood as unique representations of their morality and not just the exegesis or vulgarization of philosophical and political theories. For existential philosophers, literature provides an indispensable way of expression. Existentialist philosophy will not get the fullest performance without its imaginative literature, and certainly will not reach the level it enjoyed in France. Welcome and influence