据报载,由中国现代文学馆主办的“沙汀、艾芜生平与创作展览”为时6天,观展人数稀少,闭幕时在场观众不足8人。面对冷落的展厅,主办者唏嘘感叹:“我们历经艰辛,花费半年时间筹备这样大的展览。可是参观人数如此之少,真让我们感到泪丧和悲哀”。透过这并不孤立的现象,使我们在“泪丧和悲哀”之余,不能不对当今社会中文化所面临的严峻现实和文化人的尴尬处境做一番探讨。首先,转型期新旧体制的更迭,而场经济的冲击,价值取向的变化,不可避免地造成文化的错位与失落。这是文化自身无力改变的现实,也是社会发展的一种必然。其次,从文化本体分析,权力阶 It is reported that the exhibition titled “Shanting, AiWu Life and Creation Exhibition” sponsored by the Museum of Modern Chinese Literature lasted for six days with a small number of viewers. At the close of the exhibition, there were less than eight audience members. The face of the cold show room, the organizers sigh sighed: “We have been hard, took six months to prepare for such a large exhibition, but the visit is so small, really make us feel tears and sorrow ”. Through this phenomenon that is not isolated, we can not fail to discuss the grim reality facing culture in today’s society and the embarrassing situation of the cultural people. First of all, the change of old and new systems in the transitional period will inevitably result in the dislocation and loss of culture due to changes in the field economy and the value orientation. This is the reality that culture itself can not change. It is also an inevitable result of social development. Secondly, from the analysis of cultural ontology, power level