一、访谈背景著名作家阿城在“多彩贵州”原生态文化国际论坛暨2014年首届海峡两岸人类学青年论坛,做了一场题为《苗族刺绣传统图形与上古文明》的主旨发言。他提出,苗族刺绣从工艺完成度和承接的上古时期的符形都具有重要价值。由此而言,一直被广泛视为贵州民间艺术的苗族刺绣不仅仅是民间艺术,而是上古新石器时代部族、方国的遗留,相当于国家这一级意义的遗产。从这个意义上来看,苗绣是贵州文化区域里的一个重要财富和资源。 I. Interview Background The famous writer A Cheng made a keynote speech entitled “Miao Ethnic Traditional Embroidery and Ancient Civilization” in the “Colorful Guizhou” International Forum of Proto-Ecoculture and the First Cross-Strait Anthropology Youth Forum in 2014. He proposed that Miao embroidery is of great value in terms of the degree of completion of craftsmanship and the symbol of the ancient period inherited. As a result, Miao embroidery, which is widely regarded as the folk art in Guizhou, is not only a folk art, but a remnant of ancient Neolithic tribes and Fang States, which is equivalent to the legacy of this level of significance at the national level. In this sense, Miao Embroidery is an important asset and resource in the cultural area of ​​Guizhou.