论文部分内容阅读
曾毅将策展比作拍电影或电视剧,优秀的策展人应当集编剧、制作、摄像、导演等角色于一身,艺术家就好比是演员,一场戏的好坏,就看二者如何各自发挥作用。而演员如果推出去了,这场戏也就成功了。美术馆和策展人之于中国,是同样年轻的命题。现在,当我们回过头来重新审视二者的关系,会无法回避地碰触到中国当代艺术的源头。如果美术馆可以称之为一个所有艺术品的展示舞台,策展人就是舞台现场的“总导演”。
Zeng Yi compares curatorial work to films or TV dramas. Excellent curators should include screenwriters, filmmakers, filmmakers, and directors. The artist is like an actor. Whether a show is good or not depends on how the two are each Play a role. And if the actor goes out, this scene will be successful. Art galleries and curators in China are equally young propositions. Now, when we look back and re-examine the relationship between the two, we can not avoid touching the source of Chinese contemporary art. If the art museum can be called a showcase of all the artwork, the curator is the “director” of the stage.