论文部分内容阅读
20世纪20年代,丰子恺开始为书籍期刊设计封面插图,成为新文化运动之后最早一代涉足书籍装帧设计的文化学者。他的书籍封面与插图除了具有独特的漫画趣味和浓郁的装饰性,还有一种大俗与大雅的趣味。雅,是指丰子恺批判地继承了中国文人画的审美情趣;俗,是其保留发扬了中国民间艺术中喜闻乐见的东西。文章通过分析丰子恺书籍装帧艺术中所呈现的文人画趣味,挖掘其设计中所具有的传统文化精神,揭示了丰子恺特殊的审美追求。
In the 1920s, Feng Zikai began to design cover illustrations for books and periodicals and became the earliest generation of cultural scholars involved in book binding design after the New Culture Movement. In addition to his unique book cover and illustrations with comic and rich decorative features, there is a taste of vulgarity and elegance. Ya means that Feng Zikai critically inherited the aesthetic taste of Chinese literati painting; vulgar, is its reservation to carry forward the Chinese folk art loved things. By analyzing the taste of the literati painting presented in Feng Zikai’s book binding art and exploring the traditional cultural spirit in his design, the article reveals the special aesthetic pursuit of Feng Zikai.