“关中地区油画”在全国范围来说,算不上一个很系统很有重量感影响力很大的画派,应该说“关中地区油画”起步很早,但在画派的系统的发展上却颇显力度不足。与同属地方性画派的其他画派现今已经有了一些差距。笔者用较有代表性的“四川油画现象”(以下简称“四川油画”)与“新疆油画现象”(以下简称“新疆油画”)作例子共同探讨一下“关中地区油画”发展,其具有的独特特点以及在发展上所存在的一些问题。首先,不得不提的“四川油画”。“四川油画”以其极大的热情与活力一直 “Guanzhong region oil painting ” in the country, not a system very weighty great impact on painting school, it should be said “oil paintings in the Guanzhong area” started very early, but in the school system However, the development of it is rather underdeveloped. There are already some gaps between this school and other schools of the same genre. The author uses the more representative “Sichuan oil painting phenomenon” (hereinafter referred to as “Sichuan oil painting”) and “Xinjiang oil painting phenomenon” (hereinafter referred to as “Xinjiang oil painting”) as an example to discuss “Guanzhong Regional oil painting ”development, with its unique characteristics and some problems in the development. First of all, I have to mention the “Sichuan oil painting.” “Sichuan oil painting ” with its great passion and vitality