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柳宗元的“永州八记”在中国山水文学发展史上具有举足轻重的地位,艺术特征鲜明,在景物描写中,作者巧妙运用“虚实相生”的艺术手法,或勾勒虚景,或留置虚白,使个人情感表达更为婉曲深幽。
Liu Zongyuan’s “Yongzhou Ba Ji” plays a decisive role in the history of the development of Chinese landscape literature. The artistic features are distinct. In the scene description, the author cleverly uses the artistic technique of “blending reality with reality” White, so that personal emotional expression is more melodious and deep.