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由中国美术馆、比利时瓦隆-布鲁塞尔国际关系总署共同主办的图与词——马格利特以来:中比合作超现实主义展于2012年12月21日在中国美术馆开幕。此次展览在2012欧盟一中国文化对话年框架下展开,是中国与比利时瓦隆-布鲁塞尔大区联盟文化交流协议的重点艺术项目。此次展览关注的是现当代艺术史上的一个独特命题,即绘面、造型艺术与书写、文学语言之间的关联。在西方现代艺术史上,对“图与词”命题的关注,最早可以追溯到马格利特在1929年12月刊的《超现实主义革命》上发表的《词与图》宣言。其中综合呈现了艺术家在上世纪20年代术超现实主义氛围的欧洲,对词图关系的多种思考。马格利特将语词引入画面,质疑事物的指代与事物本身的关联。其1929年
Picture and Word Co-sponsored by China National Art Museum, Wallonia-Belgium, Brussels - Since Magritte: The China-Caribbean Cooperation Surrealist Exhibition was opened on December 21, 2012 at the China Art Museum. The exhibition, which was launched under the framework of the 2012 EU-China Dialogue on Culture, is an important art project of the agreement on the cultural exchange between China and the Walloon-Brussels region of Belgium. This exhibition focuses on a unique proposition in the history of modern and contemporary art, that is, the relationship between painting, plastic arts and writing, and literary languages. In the history of modern Western art, attention to the proposition “figure and words” can be traced back to the declaration of “Word and Figure” published by Magritte in “The Surrealist Revolution” of December 1929. Which comprehensively presents the artist in the 1920s surrealist atmosphere of Europe, a variety of thinking on the relationship between the word map. Magritte introduced the words into the picture, questioning the connection between the reference of things and the thing itself. Its 1929