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当代“主旋律戏剧”的首席编剧孟冰曾针对戏剧批评的荒凉大声疾呼:“戏剧批评家,请你‘亮剑’!”本刊本期发表吕效平《“中国原创戏剧的危机时代”──论孟冰剧作》的长文,以为响应。不知孟冰先生会觉得这是一把真剑,还是一把供花拳绣腿之用的假剑?本期,我们继续关注从上半年延续至年中、引起国内戏剧人和观众兴奋的戏剧节展──林兆华戏剧邀请展、柏林戏剧节入驻中国项目、南锣鼓巷戏剧节的相关剧目。
Meng Bing, the chief screenwriter of the contemporary “Theatrical Drama,” has been crying out for the bleakness of drama criticism: “Drama critics, please you Sword! ” This issue of the period published Lu Xiaoping “” China’s original theater crisis era “─ ─ Meng Bing drama” long article, that response. I wonder if Mr. Meng Bing would think this is a real sword or a fake sword for embroidery with embroidery? In this issue, we continue to focus on the drama festival that has been exciting from the first half of the year to the middle of the year, arousing the excitement of the domestic theater people and the audience. - Lin Zhaohua Theater Invitational Exhibition, Berlin Theater Festival in China project, Nanluogu Lane Drama Festival related repertoire.