线条是中国画的筋骨、精髓,透过线条可以感知绘画对象的形态、方向、数量甚至是色彩和空间。无论是中国古代工笔白描还是写意画,无论是人物、山水还是花鸟画,其用笔都讲求书法性这一审美原则,如果说工笔画的线条是书法中的楷书欧柳颜赵,那写意泼墨就是书法的行草和狂草。毛笔是一种很神奇的工具,看似很软的东西却能在画家、书法家的掌握下描绘出犹如钢筋铁骨的力量 Lines are the bones and essence of Chinese painting, which can sense the shape, direction, quantity and even the color and space of the painting objects through the lines. Whether it is Chinese ancient calligraphy or freehand brushwork, whether it is characters, landscapes or flowers and birds painting, the pen emphasizes calligraphic this aesthetic principle, if the lines of the strokes are calligraphy in the script Ouyang Yan Zhao, that freehand ink Calligraphy is the line of grass and mad grass. Brush is a very magical tool, seemingly very soft things can be painter, calligrapher grasp the power of steel like a steel bar