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关于后现代艺术的判定,任何单一的、片面的概念都不足以涵盖其丰富性与多样性。后现代艺术自60年代兴起以来,对传统形态美术以及现代艺术的创作形式、创作方法和传统艺术概念自身,都进行了更深层意义的思考。它是对传统形态美术的否定和终结,是对艺术的观念、形式、意义等多层面价值的重新认定。并且,它一改现代艺术的种种束缚和制约,将艺术家的创造力和想象力发挥到极致,将形式感和观念性彻底升华。后现代艺术在与传统形态美术的碰撞中,割裂了其固有的审美价值和意义,将作品所表现出的观念性特征作为评判标准是后现代艺术的突出特点。
With regard to the judgment of postmodern art, no single, one-sided concept is sufficient to cover its richness and diversity. Since its rise in the 1960s, postmodern art has been thinking more deeply about the traditional forms of art as well as the creative forms, methods of creation and traditional concepts of art itself. It is the negation and termination of the traditional morphological art and the re-recognition of the multi-layered values of artistic conception, form and meaning. Moreover, it has changed many constraints and constraints of modern art, maximized the artist’s creativity and imagination, and completely sublimated the sense of formality and concept. In the collision with the traditional form and fine art, the postmodern art severs its inherent aesthetic value and significance, and taking the conceptual characteristics shown in the work as the criterion is the outstanding feature of postmodern art.