党的十一届三中全会以后,改革开放的时代潮流给我国文艺界带来了蓬勃生机。文艺理论研究冲破“左”的束缚,向新的深度和广度开拓;文艺创作空前繁荣,出现了不少受到广大读者欢迎的优秀作品,形成了我国文艺健康发展的大好局面。后来,由于众所周知的原因,致使资产阶级自由化思潮泛滥成灾,文艺界尤为严重。资产阶级自由化思潮在文艺理论界泛滥主要表现在三个方面:一是宣扬民族虚无主义,全盘否定民族文化传统,盲目吹捧西方现代派文艺思潮。一时间,萨特的存在主义、弗洛伊德主义、尼采的“超人”哲学,以及超现实主义、未来主义、达达主义、魔幻现实 After the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China, the trend of the times of reform and opening up has brought vitality to our country’s literary and art circles. The study of literary and art theories breaks through the shackles of the “Left” and opens up new depths and breadths; unprecedented literary and artistic creations have prospered, and many excellent works have been welcomed by readers, forming a good situation for the development of Chinese literature and art. Later, due to well-known reasons, the bourgeois liberalization thoughts flooded and the literary and art circles were particularly serious. The liberalization of bourgeois liberalism in the field of literary theory is mainly manifested in three aspects. First, it promotes national nihilism, completely negates the national cultural tradition, and blindly extols western modernist literary trends of thought. For a time, Sartre’s existentialism, Freudianism, Nietzsche’s “Superman” philosophy, and surrealism, futurism, Dada, magical reality