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斯多亚派对柏拉图和亚里士多德技艺观念的重要改造在于在实践领域中时常将技艺与知识、德性相等同,从而增强了技艺概念的知识性、伦理性,并较好地解决了技艺之可得与善用的统一问题。对于斯多亚派来说,技艺之为技艺,始于生活所需,源于生活经验,成于生活中训练,服务于生活总体。人作为一种技艺动物,可以在以生活为质料的持续训练中习得作为技艺之技艺的德性,并同时将其他技艺提升为一种“类似德性”的技艺,从而实现其技艺人生。
The important transformation of the Stoics’ idea of Plato and Aristotle in their artistic concepts lies in their common practice in the fields of skills and knowledge and morality, which enhances the knowledge and ethics of the concept of artistry and resolves it well The issue of the unity of availability and utilization of artistry. For the Stoics, artistry is a skill that begins with the needs of life, derives from life experience, becomes training in life, and serves the life in general. As a kind of art animal, people can acquire the virtues of art as a skill in the continuous training of taking life as material, meanwhile, promote other art as a "similar morality life.