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实验艺术作为当下中国艺术生态的一员,本应承担起艺术应有的社会作用,但当下的实验艺术创作者很多却沉浸于个人情感抒发的“小我”世界中,没有对公众进行教化和正向价值牵引的意识。该文从这一问题入手,分析了实验问题没有展开社会批判的原因所在,并针对这一问题提出了“实验艺术传播策略”这一概念与相应的手段,希望通过这样的一次探究式的梳理唤起实验艺术创作者承担教化民众的意识。正向价值牵引是该文强调的核心,实验艺术应当为艺术生态的良性生长做出自身应有的贡献。
As a member of contemporary art ecology in China, experimental art should assume the social function that art should have. However, many current experimental art creators are immersed in the “personal ” world expressed by personal feelings and are not exposed to the public Enlightenment and awareness of the value of traction. This article starts from this question, analyzes the reason why the experimental question did not start the social criticism, and put forward the concept of “experimental art communication strategy” and the corresponding method to this question. I hope that through this kind of inquiry formula The combing arouses the creators of experimental arts to take the initiative to educate the public. The positive value traction is the core of this paper. The experimental art should make its due contribution to the healthy growth of the art ecology.