按照一种不约而同的观念默契,现当代中国史上最有资格荣膺“现代戏剧”称号的,是舶来的话剧,不是本土的戏曲。这种值得怀疑的文化观念乃至命名方式,在当代人的研究论著中并不鲜见。在当下中国,话剧的中心化和戏曲的边缘化多年来构成了一枚硬币的两面。究其根源,这跟上个世纪初 According to an unanimous understanding of the concept, modern Chinese history is most eligible to receive the title of “modern drama”, it is a foreign drama, not a native drama. This kind of doubtful cultural concept and even the way of naming are not uncommon in contemporary research articles. In contemporary China, the centralization of drama and the marginalization of drama have formed the two sides of a coin for many years. The root causes, which follow the early last century