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19世纪60年代以后,印象派画家向学院派发起了挑战,他们反对因循守旧的古典主义和虚构臆造的浪漫主义,转而主张以“科学写实”的手法表达现实平凡的题材。在这个过程中,以“浮世绘”版画为代表的日本美术以其明亮妍丽的色彩、洗练简洁的造型、生动流畅的线条,为这场艺术革新运动提供了一条现实的道路(1)。美国画家惠斯勒曾说过:“改写美术史的天才再也不会出现,美的历史已经完成—这便是巴特农神庙的希腊大理石雕刻,是富士山脚下的葛饰北
After the 1860s, Impressionist painters challenged the academics to oppose stereotypicalism and fictional romanticism, instead advocating ”realistic and realistic“ expressions of ordinary subjects of reality. In this process, Japanese art, typified by ”Ukiyo-e“ prints, with its bright and beautiful colors, concise and clean shapes and vivid lines, provide a realistic path for this artistic reform movement ). The American painter Whistler once said: ”The rewriting of the genius of art history will never happen again. The history of beauty has been completed. This is the Greek marble sculpture of the Parthenon. It is the northern part of Mount Katsushika at the foot of Mount Fuji.