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97年的华语唱片市场应该说没有太多引人注目的地方,作为工业形式的一种,仍然维持着它日益成熟的商业化模式。面对一张张流水线上走下的唱片,我们在聆听的同时也对它作出了属于自己的评价。而面对我们的歌坛,这一年里也发生了许多值得思考和回味的事情。为了粗略地对97年歌坛做一个回顾,我把华语唱片市场分为三个部分:国内歌坛、香港歌坛、台湾歌坛。
The 97-year Chinese album market should say that there is not much attraction in the market. As a form of industrialization, it still maintains its increasingly mature commercialization model. In the face of a piece of pipe down the record, we also listen to it at the same time made its own evaluation. In the face of our pop music, there have also been many things worth thinking and aftertaste in this year. In order to make a rough review of the 97-year pop singer, I divided the Chinese record market into three parts: the domestic music scene, the Hong Kong music scene and the Taiwan music scene.