当代小说的嬗变大致呈现两个向度,一路是坚持传统,抒写心灵的写作;另一路是受到类型化写作的影响,为读者反映现实生活经验的消遣类作品创作。严格说来,这两种创作方式应该是合二为一的,但我们的创作却形成了某种裂痕。这种裂痕是所谓通俗文学和纯文学固有的矛盾导致的。综观小说作品,却发现在这种嬗变引导下的创作风格是错位的:抒写心灵的浪漫被现实禁锢,想象的吉光片羽像被捆缚的囚徒;实用主义的消遣写作却蔑视现实规 The evolution of contemporary novels shows roughly two dimensions. One way is to insist on tradition and describe the writing of the mind. The other is to be influenced by the type of writing and to recreate the recreational works that reflect the real life experience for readers. Strictly speaking, these two ways of creation should be combined, but our creation has created some kind of rift. This rift is caused by the inherent contradictions between so-called popular literature and pure literature. Looking at the works of the novel, I found that the style of creation guided by such a change is dislocated: the romanticism of describing the soul is imprisoned by reality, the imagined Jiguang film feather is bound prisoners, the pragmatic pastime writing contempt for the reality