青花因所用材料以及后期制作工艺与水墨画有所不同,所以,素来治青花图画者大多注意画面清透、飘渺、意韵的流注。卢禹舜的这件作品可谓是反其道而用之,不在轻盈婉转的青花性能上做文章,而是强调画面花样的浑厚与滋润。在对山石物象的刻画上,画家有意地使用了折带、牛毛等混合的皴法,外加繁密的 Blue and white because of the materials used and the post-production process and ink are different, so, always dominated the blueprint for most of the attention of the picture clear, misty, meaning rhyme. This piece of work by Lu Yu-shun can be said to be the opposite of what it used to do. Instead of making a fuss about the graceful and light blue-and-white performance, it emphasizes the vigorousness and moisture of the motif. On the portrayal of the stone objects, the painter deliberately used a mixture of shading, ox hair and other methods, plus the dense