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杜曦云:各位朋友,今天关于申树斌作品的研讨会现在正式开始,我是主持人杜曦云。我想大家畅所欲言,可以任意讨论一下。首先有请帅好先生发言!帅好:为什么我先发言,因为我是外行,我是圈外的人?刘淳:当代艺术没有外行,人人都是内行。帅好:关于申树斌的绘画,我觉得一个比较好的诠释点就是“推演未来”。他的绘画很多都在用看似简单的人物关系,来表达深刻而复杂的自我思考,深深的切入了当代问题,而不仅仅是提出问题。用历史审美来看,绘画不仅是内心观念的表达,也是一种历史审美的道德实践,在隐喻成为当代艺术的一种武器时,表达要实现其同的担当,体现其批判性。而申树斌的作品有真正深入历史后的切身感受。我看申树斌的绘画觉得略显粗糙,技法上没有达到其应有的成熟,但是他的想象力是可贵的。申树斌的虚景狂欢,应该是—个寓言,他提出这样的—个问题:就是对世界来说,自由作为一种福利,如何避免相伴而来的各种暴力——狂欢即今天,未来即死亡,而动物的状态,则隐喻着我们没有任何人权。所有的狂欢都是死亡。未来就是死亡,狂欢就是当下。
Du Xiyun: Dear friends, today’s seminar on Shen Shubin’s work is now officially started. I am the host Du Xiyun. I think everyone speak freely, you can arbitrarily discuss. First of all, please handsome handsome Mr. handsome!: Why I speak first, because I am a layman, I am outside the circle of people? Liu Chun: no outsider contemporary art, everyone is an expert. Good handsome: Shen Shubin’s painting, I think a better point of interpretation is “deduce the future ”. Much of his painting is using simple seemingly personal relationships to express profound and complex self-thinking, deeply cutting into contemporary issues, not just asking questions. In terms of historical aesthetics, painting is not only the expression of inner views, but also a kind of historical and aesthetic moral practice. When metaphor becomes a kind of weapon of contemporary art, expression should fulfill its same role and embody its critique. And Shen Shubin’s work has a real depth after the personal experience. I think Shen Shubin’s painting felt a little rough, his technique did not reach its due maturity, but his imagination was valuable. Shen Shubin’s virtual carnival, should be - a parable, he put forward such a question: that is for the world, as a welfare, freedom, how to avoid the accompanying violence - carnival that today, the future death , While the state of animals, metaphor, we do not have any human rights. All the carnival is death. The future is death, carnival is the moment.