王镛是一位不甘随人后的艺术家,在治印和书法上如此,在山水画创作上也是如此。当前山水画坛人才济济,但在风格上每多雷同,而雷同则滥,滥则俗,俗则腻。有感于此,王镛对那些被人们一画再画的名山大川,那些被视为典范的笔墨程式,他都尽力避开,专心走自己认定的艺术道路。这很象一位性格怪僻的探险家,越是被人们称道向往,认为非看不可的景点,他越是没有兴致去游览,而是专找那些人迹罕至、荒凉险阻的地方走,并坚信只有在那里才有未被发现的美。于是,在王镛的山水画中少见青山绿水、奇峰秀木,而多的是野岭荒坡、老林野卉,以及生于斯、长于斯、劳于斯、息于斯的山里人家。这是一 Wang Kui is an unwilling artist who is doing the same in Indian and calligraphy, as well as in landscape painting. The current portrait painting landscape talent, but in the style of each more similar, but the same is excessive, abuse of vulgar, vulgar is tired. In this sense, Wang Tuan tried his best to avoid the painstaking efforts of those famous mountains and rivers which were painted once and for all by others. This is very much like a strange explorer. The more people are said to be longing for and think non-despicable attractions, the more he is not interested in excursions. Instead, he is looking for those inaccessible and desolate places, believing that only in There are undiscovered beauty there. As a result, there are few mountains and waters in Qionglai, Qifeng Xiu-Mu, but mostly wild wild plants, old wild flowers and trees, as well as those born in the mountains, long in Sri Lanka, Lausuisi, interest in Sri Lanka people. this is one