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我国历来悲剧艺术发展较为薄弱,随着社会主义悲剧艺术的兴起,探讨一下悲剧艺术的审美心理,不论对繁荣悲剧艺术创作,还是对提高审美能力,都是一个很有意义的课题。尤其,在当今现代主义美学某些人否定悲剧精神的鼓噪声中,探讨这一问题显得更为必要。
Traditionally, the development of tragedy art in our country is relatively weak. With the rise of the socialist tragedy art, exploring the aesthetic psychology of tragedy art is a very significant topic both for the creation of a prosperous tragedy and for enhancing the aesthetic ability. In particular, it is even more necessary to probe into this issue in some of today’s modernist aesthetics that denounce the tragic spirit.