尹智欣集评尹智欣选择的雕塑语言是在写实主义雕塑训练基础上的自觉变形,而非原始雕塑中写实能力尚未完善的夸张造型,这是我们需要注意的。尹智欣作品中的人物的肥硕造型是一种目的性很强的符号化风格选择,我们可以从不同的角度对此加以解读。首先,尹智欣作品中的丰满人物突出的是躯干与四肢,而非性特征,这体现为他作品中的人物甚至像流行的时装模特儿一样,以光头的形象出现,将女性的头发和面部的表 Yin Zhixin commented that the language of sculpture chosen by Yin Zhi-Xin is a conscious deformation based on realism sculpture training, rather than the exaggerated style of the original sculpture which has not yet been refined. This is what we need to pay attention to. The fat styling of Yin Zhi-Xin’s works is a highly selective symbolic style choice, which we can interpret from different perspectives. First of all, the fullness of Yin Zhi-Xin’s work highlights the torso and limbs, not the sexual characteristics. This is reflected in the fact that the characters in his works appear like bald ones even in the fashion of bald head, table