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云南居住着25个风俗独特的小数民族,其民族间别具一格的生产方式、生活环境、民族风俗和审美观,造就了如今不同的民族文化、宗教信仰和穿着方式,使得云南地区的少数民族表现出种类纷繁、精妙美观、形态各异的民族包,其具备独特的民族底蕴,反映了云南各民族在历史长河中的社会变迁、历史文化、生存环境和地理位置等各类因素。少数民族包更是其文化的代表符号,对云南少数民族包进行深入研究探讨,可以更好的传承和推广中华民族文化。作为文化符号学其中一支的文化符码,最主要的便是其将文化学融入了符号学研究,文化符码具备区分不同文化特征的特征。理论符号学中,特定意义的符号系统被称作符码(Code),符码是符号学中最基本的功能单位,有传达语意的基础,具备特定框架、意义的符号系统。本文针对少数民族包的文化符码研究,来对少数民族文化进行更好的传承和发展,以及提出将民族文化融入现代设计的建议。
There are 25 ethnic minorities living uniquely in Yunnan, and their unique ethnic patterns of production, living environment, ethnic customs and aesthetic standards have created different ethnic cultures, religious beliefs and ways of wearing nowadays, making the ethnic minorities in Yunnan Province show Various types of ethnic exquisite packages with exquisite and beautiful appearance and various forms have unique national heritage and reflect various factors such as social changes, history and culture, living environment and geographical location of various ethnic groups in Yunnan over the long history. Ethnic minority package is the representative symbol of their culture, which conducts in-depth study and discussion on the ethnic minority package in Yunnan and can better inherit and promote the Chinese culture. As one of the cultural semiotics, one of the most important cultural codes is that it incorporates the study of culture into the study of semiotics. The cultural codes have the distinguishing feature of different cultural features. In theoretical semiotics, a symbol system of special meaning is called a code. Code is the most basic functional unit in semiotics. It has the basis for conveying semantic meaning and has a symbolic system with a specific framework and meaning. This article aims at the study of cultural codes of minority nationalities to carry on the better inheritance and development of minority culture and put forward the suggestion of integrating national culture into modern design.