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采访时间:2月12日采访地点:颐堤港咖啡吧艺术出版依然有很多空白和盲点,照理民国美术整理完了就应该是当代艺术,但民国美术姑且没人做,更遑论当代艺术乎!缜密思考、整理写作的人太少了,也许有海外艺术学习经历的人能打破这个局面。我看到的艺术类的出版策划,还没有跟上这个时代。也许艺术要成为显学,还需要十年八年。实事求是地说,我原以为李文子要述说的,只是自己的阅读小史,那种坐在家里喝喝茶、晒晒太阳、翻翻艺术史的闲雅读书状态。谁知她梳理的不仅是自己的个人阅读,更是整个中国美术出版业的脉络与发展面貌,其见识贯穿整个访谈,令人暗暗吃惊,她从什么时候开始关注与研究出版业?我所了解的她,更多只是画廊的
Interview time: February 12 Interview Location: Inditi Coffee Bar Art Publishing There are still a lot of blank and blind spot, finishing the art finishing the Republic of China should be contemporary art, but the Republic of China art no one to do, let alone the contemporary art! Too few people think and organize their writing, and perhaps someone with an overseas art learning experience can break this situation. The art planning published by I have not yet kept pace with this era. Maybe art to become significant school, but also need ten years and eight years. To tell the truth, I thought Li Wenzi should say it, only his reading history, the kind of sitting at home drinking tea, sun, overthrow the art history of elegant elegant reading status. Who knows she combs not only their own personal reading, but also the context and development of the entire art publishing industry in China. Their insights are surprising throughout the interview. When did she start to pay attention to and study the publishing industry? She’s more of a gallery