论文部分内容阅读
当代诗学的核心争论围绕着谁更加现代化的论题展开理论话语权争夺。诗学研究也总是毫无疑问地认定,诗歌沿着现代化途径逼近终极真理。但是,不管理论如何自在发展,却无法掩盖汉语诗歌退化的尴尬现状。本文解析了当代诗歌中的都市和乡村形象,揭示了在中国的具体语境中,“现代性”问题实际上可以象征性地简化为城市与乡村的二元结构问题,进而揭示了现代性理论在指导和解读诗歌中无法回避的结构困境,并由此试图为当代诗歌的重建提供一种可能和路径。
The core argument of contemporary poetics revolves around the question of who is more modern in the theoretical discursive contention. Poetic studies have also undoubtedly held that the study of poetry approaches the ultimate truth along the path of modernization. However, no matter how the theory develops freely, it can not hide the awkward situation of the degradation of Chinese poetry. This paper analyzes the urban and rural image in contemporary poetry and reveals that in the specific context of China, the problem of “modernity” can be symbolically simplified into the binary structure of urban and rural areas, and then the modernity theory In order to guide and interpret the unavoidable structural predicament in the poetry and try to provide a possibility and a way for the reconstruction of contemporary poetry.