中国画有鲜明的民族风格,有独特的美学特色。“写意”就是中国画艺术的精神内核。中国画“写意”理论的形成及发展,是受中国文化传统,文化精神的影响和规定。庄子在《物外》篇中指出:“得意而忘象”。“意者,忘也”(《说文解字》)“写意”就是画家借助客观物象并通过笔墨形式来表达自己的主观情感和心态的一种制作手法。“写意”既有再现的因素,又有表现的因素,既是客 Chinese painting has a distinctive national style and unique aesthetic characteristics. “Freehand” is the spiritual core of Chinese painting art. The formation and development of “freehand” theory of Chinese painting are influenced and regulated by the Chinese cultural tradition and cultural spirit. Chuang Tzu pointed out in the article “Extramarital Affairs”: “To be proud and to forget.” “Italians, forgotten” (“Shuowenjiezi”) “Freehand” is a production technique by which painters express their subjective feelings and mentality by means of objective objects and through the use of ink and brush. “Freehand” both the elements of reproduction, but also the performance of the factors, both customers