当我第一次采访《陶魂》的主人公仇志海时,这位军中艺术家努力发掘中国文化遗产、使古艺重放光辉的事迹感动了我,同时,黑陶艺术品的神奇魅力也深深吸引了我。我下决心要拍一部既不是简单地介绍传统工艺品,又不是平直地报道某个人物的短片。应该拍出主人公在中华民族文化这个大背景下的活动。而黑陶就是民族创造力的象征。 When I first interviewed Chou Chih-hai, the protagonist of “The Eternal Spirit,” the artist in the army struggled to exploit the Chinese cultural heritage and touched me with the glorious reappearance of the ancient art. At the same time, the magical charm of the art of black pottery was also deeply enticed Me I am determined to make a short film that does not simply introduce traditional handicrafts, nor is it a straightforward story of a character. The hero should be photographed in the context of Chinese culture in this context. The black pottery is a symbol of national creativity.