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民歌是民族文化的重要组成部分。我国“十七年时期”(1949~1966)的电影作品在运用民歌方面的成就颇为突出,这不仅增添了影片的娱乐兴味和视听色彩,而且还使影片的意识形态诉求得到了更为有效、更加广泛的传播。本文通过对若干个案的剖析及其传播语境的考察,深入探讨了“十七年时期”的电影在运用民歌(或利用民歌素材编创)方面的艺术特色和时代特征,并扼要阐释了它们在平衡政治理念与艺术水准方面的一些创作规律。
Folk songs are an important part of the national culture. The achievements in the use of folk songs of the film works of China’s “Seventeen Years” (1949-1966) are prominent, which not only add entertainment appeal and audio-visual color to the film, but also make the ideological appeal of the film even more For effective, more widespread communication. Through the analysis of a number of cases and the investigation of the context of its dissemination, this article explores in depth the artistic features and the characteristics of the times in the use of folk songs (or the use of folk song materials) in the film “Seventeen Years” and briefly explains They are in the balance of political ideas and artistic standards of some creative writing.