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在不同的视角之下,位于晋东南一隅的潞城贾村分别向我们生发着不同的意义:1985年明抄赛社文本《礼节传簿》的发现,被认为是“近几十年来中国戏曲史料的重大发现”(张庚语),至今吸引着治戏曲史者考索、钩稽,重写不一样的戏剧史,民间礼俗的重新重视、赛社活动的恢复和“仪式与戏剧”关系视角的引入,又带来民俗学家、人类学家不同向度的探寻;区域社会研究潮流和历史人类学方法的引入,经济史、社会史和历史学家也被一把拉了进去,而这些亦促使治戏曲史者重新调整自己的论域。这一切源于“深邃”但不“诗意”的“民间”的被“发现”。这个“发现”的过程,也伴随着传统的严密整饬的祭赛仪礼及其戏剧活动在当代文化语境中发生着新变。
From different perspectives, Lucheng Jia Village, located in the corner of southeastern Shanxi, has different meanings to us respectively: the discovery of the Etiquette Book of Rites in Ming Dynasty in 1985 is considered as “ The dramatic discovery of drama historical materials ”(Zhang Gengyu) has so far attracted a great deal of historical and cultural connotations. It has re-emphasized the history of drama, re-emphasized folk customs, the restoration of club activities, and the ceremony and drama, The introduction of the relationship perspective brings about the exploration of different dimensions by folklorists and anthropologists. The introduction of the trend of regional social studies and the method of historical anthropology has also brought economic, social and historical scholars into one , And these also prompted the historians of drama to readjust their discourse. All this originates from “deep” but not “poetic” “folk” being “discovered”. This “discovery” process is also accompanied by a new change in the rigor of the traditional Ceremonial Ceremony and its dramatic activities in the contemporary cultural context.