考察我国的纪录片创作,可以明显地看到北京、上海和西部这三个区域的创作群体在实践中已形成了不同的纪录片创作风格,出现了京派纪录片、海派纪录片和西部纪录片鼎立的局面。如果说“京派”和“海派”南北对峙有着深厚的文化渊源的话,西部纪录片的异峰突起则是一种耐人寻味的文 When we look at the documentary creation in our country, we can clearly see that the creative groups in Beijing, Shanghai and the western regions have formed different styles of documentary writing in practice, and the situation of the Beijing documentaries, the Shanghai documentaries and the western documentaries has emerged. If the “Beijing School” and the “Shanghai School” have a profound cultural origins in the confrontation between North and South, the outbreak of the promontory in the western documentary is an intriguing essay