六十年代末开始,国际影坛兴起综合美学。要求电影以自身特性为基础,结合运用在其各个发展阶段中取得的艺术成果,特别是把原来是对立的艺术因素统一起来,充分调动各种表现手段,完整地反映复杂的现实生活。 Beginning in the late 1960s, the rise of comprehensive aesthetics in international cinema. The film is required to combine the artistic achievements made in all stages of its development with the characteristics of its own. In particular, the film unifies the artistic elements that were originally the opposite and fully mobilizes various means of expression to fully reflect the complicated real life.