若论紫砂茗壶的审美效果,工艺和功力当是作为紫砂陶刻界标准和规范中绕不过去的一个重要命题,掌握刀法的表现形式,是一种“艺术的自觉”。陶刻的本身就是艺术的装饰,融于紫砂其他表现形式上,形成作品的多重性格,使人对其有更多不同的解读。同时,陶刻作品的完美体现应该是艺人本身的专业素养和锲而不舍的专业精神分不开的,只有心手相应,方能成为一时大家。 If the aesthetic effect of Zisha Ming pot, craft and skill as purple sand pottery industry standards and norms around the past is not an important proposition, to master the form of knife is a “self-consciousness of art.” Pottery itself is the art of decoration, melting in other forms of purple sand, the formation of the works of multiple personality, people have more different interpretation of it. At the same time, the perfect embodiment of pottery works should be the artist’s own professionalism and perseverance of the professionalism can not be separated, only the corresponding, before we can become a moment.