诗歌是一种最精炼的艺术形式,它要用最小的篇幅表达出诗人深刻的感情,因此在用词遣句上就特别讲究。一首好的诗歌,在语言上总是经过千锤百炼的。锤炼好了,正如王国维所说:“著一字而境界全出”。不过,他所举的“红杏枝头春意闹”的“闹”字之类,倒是比较容易觉察的。更多的,也可说是更妙的,则往往是不着痕迹的。读者碰到锤痕累累的地方,通常总会停下来思索一番,体味一通,而对那归真返朴不留锤痕的妙品,反而容易一扫而过,囫囵吞下,食而不知其味。就有点象猪八戒吃人参果。到咀了的好东 Poetry is the most refined form of art. It expresses the profound feelings of the poet in the smallest space. Therefore, special emphasis is placed on using words to interpret sentences. A good poetry is always linguistically tempered. It has been tempered, as Wang Guowei said: “One word and all realms.” However, what he described as the “noise” in the “red cherry blossom branches” is rather easy to detect. More, it can be said to be even better, it is often no trace. When the reader encounters a place with many hammer marks, he will always stop and think about it, and he will be able to savor the sensation. But for those who can’t leave a trace of the hammer, they will easily swoop past it, swallow it, and eat it without knowing it. taste. It’s a bit like a pig quit eating ginseng fruit. Good East to Tsui