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在我们这个全球化时代,左翼思想仍然激发着人类精神家园中最后的诗意和浪漫情怀。从六、七十年代戈达尔、安东尼奥尼的电影对红色中国的视觉想象和审视,到俄国艺术家塔特林(V.Tatlin)的“第三国际纪念碑”至今犹存的影响力,弘扬国际主义和理想主义的左翼精神一直是当代视觉文化中的一支显著的力量。冷战后的今天,许多左翼知识分子激烈批判福山的人类“历史终结论”,并执着探求人类社会发展在市场经济和民主政治结合体以外的新的模式。无疑,新的乌托邦情
In our era of globalization, the left-wing ideology still inspires the last poetic and romantic feelings in the spiritual home of humanity. From the visual imagination and review of red China by Godard and Antonioni in the 1960s and 1970s to the still existing influence of the Russian artist “ And the leftist spirit of idealism have always been a prominent force in contemporary visual culture. Today, after the end of the Cold War, many left-wing intellectuals have fiercely criticized Fukuyama’s human ”end of history" and persisted in exploring new modes of human social development beyond the combination of market economy and democratic politics. Undoubtedly, the new Utopian situation