郭汉城、章诒和在《关于中国戏曲中的封建道德问题》(载《大舞台》1986年第十一、十二月号)一文中说,在阶级社会里,道德不仅被统治阶级赋予阶级意志和全社会的外观,而且还必须积纳某些全社会约内容,唯如此,统治阶级所创造的道德体系才有可能被全民所接受。戏曲传统剧目中的封建道德的阶级性质是第一属性,但除了阶级的规定性之外,封建道德还有社会性、全民性,这是第二属性。因此,我们不能一看见剧目中有“忠、孝、节、义”等字眼,就 In his article “Issues on Feudal Ethics in Chinese Opera”, Guo Hancheng and Zhang 诒 (No. 11 and December 1986), in the class society, morality is not only endorsed by the ruling class as a class Will and the appearance of the whole society, but also must incorporate some of the contents of the whole society. Only in this way can the moral system created by the ruling class be accepted by the whole people. The class nature of feudal morality in the traditional drama of the opera is the first attribute, but besides the stipulation of the class, the feudal morality has social and universal character, which is the second attribute. Therefore, we can not just see the words “loyalty, filial piety, festival, righteousness” in the repertoire