“吴声清婉,如长江广流,绵延徐逝,有国士之风。”唐代琴家赵耶利在论述古琴流派风格时对吴地琴风曾作此经典概括。无独有偶,明代戏曲作家、曲论家王骥德亦云:“乐之筐格在曲,而色泽在唱。古四方之音不同,而为声亦异。”可见,无论于琴抑或于曲,人文精神和地域特点的呈现是形成艺术风格的必要条件。吴门琴歌作为苏州吴门琴派特有的古琴表现形式之一,势必既要契合于“琴文化”的精神统领,又要体现出“吴文化”的风 “Wu Sheng Qing Wan, such as the Yangtze River, stretches and dies, there is the style of the countryman.” “Tang dynasty musician Zhao Jieru in the style of the genre of Guqin Wu Diqin wind had made this classic summary. Coincidentally, the Ming Dynasty drama writer, song critic Wang Jiyi also said: ”The music of the basket in the song, and the color is singing. The ancient four-way sound is different, but the sound is different.“ ”Can be seen either in the piano or song, Humanistic spirit and geographical features are the necessary conditions for the formation of artistic style. As one of the unique forms of ancient Qin of WuMen Qin School in Suzhou, WuMen Qin Song is bound to fit both in the spirit of “piano culture” and in the spirit of “Wu culture”