喜歌剧《爱之甘醇》在国家大剧院上演,给观众以喜感享受的同时也引发了国内关于歌剧形态的思考。如何让歌剧更接地气,更能表达日常生活中具有喜感元素的题材,让中国原创歌剧从一味的、沉重的宏大叙事当中走出来,实现歌剧的两条腿走路,是中国原创歌剧的现实问题,这既是歌剧生存环境的要求,也是歌剧理念、受众审美趣味的驱使。 Xi opera “love of glycol” staged at the National Grand Theater, to the audience to enjoy the same time also led to the domestic thinking about the opera form. How to make opera more popular, but also to express the theme of daily life with hi elements, let the Chinese original opera from the blind, heavy grand narrative which came out to achieve the opera’s two legs to walk is the reality of China’s original opera Problem, which is not only the requirements of the living environment of opera, but also the concept of opera, the audience driven by the aesthetic taste.