“武戏文唱”塑角色所谓“武戏文唱”,并不是不需要武功,相反更需要演员练出敏捷、沉着、为剧情发展所需要的武功,而非为技巧而技巧的轻浮的武功。武戏太文就“瘟”,不文就“火”,火了又不美。如何把握两者的分寸?盖叫天创造出了“武戏文唱”的“盖派”特征。 “Wu opera singing” plastic characters so-called “martial arts singing” is not without martial arts, on the contrary need actors to practice agile, calm, martial arts needed for the development of the plot, rather than skill and skill frivolous martial arts. Taiwanese opera “blast”, non-text “fire”, the fire is not beautiful. How to grasp the sense of the two? Gaijiantian created a “cover opera” feature of “Wu opera singing.”