中国古代代言体作品中，存在着两种基本的抒情方式。一种是“化身抒情”，即作者将自己完全化身为作品中的角色进行抒情，与角色的关系是同一的；一种是“化妆抒情”，即作者只是将自己故意装扮成作品中的某一角色进行抒情，其内心是清醒的，与角色本身的关系是疏离的。“化身 There are two basic modes of lyricism in ancient Chinese endorsements. One is “lyrical embodiment”, that is, the author fully expresses himself as the role of the works to express emotions, and the role of the relationship is the same; one is “make-up lyricism”, that is, the author deliberately dressed himself as a work of some A lyrical character, whose heart is awake, and the role itself is alienated. "Incarnation