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自晚清以来,建立现代民族国家成为国人的基本诉求,在作品中再造现代中国形象成为文学创作的内驱力。在1940年代(1937—1949)战时地缘政治文化制约下,不同政治区域的作家站在时代召唤与主体诉求的遇合点上建构民族国家理想的方式迥然有别:对新的国民精神进行革命修辞是解放区文学建构民族国家理想的主要方式,而以第一视野遮蔽第二视野则成为解放区作家独特的叙事策略。
Since the late Qing dynasty, the establishment of a modern nation-state has become the basic demand of the Chinese people and the reconstruction of the modern Chinese image in the works has become the internal driving force of literary creation. Under the constraints of wartime geopolitics and culture in the 1940s (1937-1949), writers in different political regions were totally different in the way they stood up in meeting the ideals of the nation and state in the meeting point of the times: the revolutionary rhetoric of the new national spirit Is the main way that the Liberated Area literature constructs the ideal of nation-state. However, concealing the second field of vision with the first field of vision has become the unique narrative strategy of the liberated area writers.