李桦作为20世30年代中国木刻运动的先驱之一,在抗战时期创作了众多富有时代气息,表现当时社会现状以及人民面貌的木刻作品。他的作品多反映抗战时期中国人民大众的苦难、呐喊、反抗和斗争。本文以其代表作《怒吼吧,中国!》为分析对象,结合当时中国现状研究,通过分析图形元素和表现手法,探究此作品巧妙的人物形象塑造方式以及版面设计。 As one of the forerunners of the Chinese woodcut movement in the 1930s, Li Hua created many woodcuts with rich flavor of the times and showing the status quo of the society as well as the people’s appearance during the Anti-Japanese War. His works reflect more the suffering, crying, resistance and struggle of the Chinese people during the war of resistance against Japan. Based on the study of the current situation in China at that time, this article analyzes the graphic elements and expressions to explore the subtle figure creation and layout of this work.