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当今社会,中国文化受外来文化的影响越来越大,各种艺术门类的竞争也越来越强,如今中国戏曲在文化艺术舞台上的霸主地位已经不复存在了。为了增强自身的竞争力,中国戏曲模仿西方戏剧舞台思维模式,进行所谓的改革与创新。如此的完全抛弃传统,使得中国戏曲的发展走向了误区。当代的一部分戏曲人对传统民族戏曲艺术缺乏应有的自信心,把西方文化当做自己艺术上的外援,希望借助外来的力量帮助戏曲起死回生。这看似合乎情理,却弄巧成拙,使得戏曲艺术走向了另一极端。这着实值得当今每一位戏曲工作者进行深刻的反思。
In today’s society, Chinese culture is increasingly influenced by foreign cultures and the competition among various art genres is becoming stronger and stronger. Nowadays the dominant position of Chinese opera on the stage of culture and art has ceased to exist. In order to enhance their own competitiveness, Chinese opera imitates the western drama stage thinking mode and carries out the so-called reform and innovation. So completely abandon the tradition, making the development of Chinese opera to misunderstanding. Some contemporary opera people lack the self-confidence to the traditional national drama art, regard western culture as their art foreign aid, and hope to help the drama to come back to life with the help of external forces. This seemingly reasonable, but self-defeating, making the art of opera to the other extreme. This really worthy of every contemporary drama workers a profound reflection.